Watercolor for Beginners: Fall colors in the pumpkin patch
Next we activated our paints by dropping water from the brush onto each paint dot. Once our pigments were activated, we created what Kate refers to as "paint puddles." We tapped a paint dot, gave it a wiggle, dabbed into water, wiggled again, and repeated that process as needed to create the consistency of paint wash that we were looking for. Watercolors are highly pigmented and go a long way, so use sparingly!!
Once we started with our pumpkins, we followed Kate's advice for right-handed individuals to work from top left to bottom right. If you're using a wet-in-wet technique, paint pumpkins next to one another. If you prefer very separate and distinct colors, skip pumpkins as you go to ensure there is time for each to dry.
Watercolor paper is thick so that it doesn't warp from the amount of water placed onto it. It’s also treated to allow paint to sit on top of the page. You can find it in two varieties, hot pressed and cold pressed. Hot pressed or "smooth" paper, has less texture and allows paint to slide over it while cold pressed has a good amount of "tooth" which holds onto pigment and offers more control. Whichever your preference, remember that good quality paper gives you more thinking time as it will not dry as quickly.
Once you're ready to get started, try laying down an initial base wash, then while your paint and paper are still wet, you can practice your wet-in-wet technique by dropping more paint within that wash. Alternatively, you can allow your base of paint to dry entirely before adding details over the top. Letting that first wash dry lets the pigment on top disperse less and creates interesting lines. If you make a mistake, paper towels are great while paint is still wet since they're so absorbent. Remember, even something you may consider a mistake is really an opportunity to learn how water will behave!
Other ways to add interest are by coming in over your base wash with an entirely different color to emphasize your pumpkin ridges or other details, or believe it or not, by adding salt! Salt draws out moisture and will react with your paints in beautiful ways. Play with table salt versus kosher or even sea salt to see how the size of the granules creates varied results.
Ultimately, Kate likes to get a layer down, then add a second and even third layer to obtain desired shading and some detail, and then she goes back in one last time for final details (adding warts to pumpkins, stem detailing, etc.).
Kate’s tips and tricks:
Kate says to think of your first layer as "freshly zambonied ice" or a wet, thin and even consistency to get a nice bleed of color. You can drop in paint of another color to see an intense paint spread and supplement with drops of water as needed to force its spread even more.
Work from lightest to darkest colors to prevent bleeding. This is counter-intuitive to painting with oils or acrylics where you start with dark and come in over the top with light highlights. Typically in watercolors, white or very light areas are created using the paper itself rather than paint.
Try shading with more pigment after the first layer has dried. You can layer only to specific areas which is called "glazing."
The juicier or wetter the color, the more time you have to manipulate it.
Experiment with only water on paper, then drop paint into it and you'll see it has unpredictable behavior and provides a more wild look. You can also try adding paint to one side and then use water to draw pigment to the other side.
To tone down bright colors, throw in others (for example, if you only have a very vibrant red but want to make it muted, add in a bit of green).
To know when paint is truly dry, make sure it's not shiny or reflecting off the page. You can also hover a finger just above your paint and if the air feels cool, there is still water evaporating.
If you need to blend a hard edge, dry your brush, then feather it out.
Cotman or other student-grade watercolors that are found in an art supply store are a good representation of true pigment colors that you will later find in higher end supplies as you continue your creative journey. The names of colors will remain the same, as opposed to working with very low end craft supplies that will not have typical color names.
In case inspiration strikes at a coffee shop, local park, or away on vacation, you can purchase great small sets of travel supplies (think tiny palettes, foldable brushes, etc.). Remember that alternatively, anything can be used as a supply in a pinch - even a yogurt container lid can act as a mixing palette!
Our top picks for watercolor
Now that you’re ready to let your creativity flow it’s time to get the right tools to perfect those brush strokes. We’ve rounded up some of our recommended watercolor products. We hope you love them!
Until we gather again!
**As Amazon Associates we earn from qualifying purchases.